Commercial fireworks: Up Close and Loud is a collection of commercial-grade fireworks – the big stuff – shooting from mortar tubes not 20 feet from my microphones. Each thunderous burst is heard directly overhead. Many feature a long decay at the end. The result is an assemblage of sounds filled with power and punch. Every round leaving its tube gives off a solid gut-thumping boom. Only such nearby access can provide this perspective. If fireworks aren’t your thing, that’s cool. These files could have been used for any number of WWII movies I grew up watching and will put you right there on the battlefield again today.
The other advantage of this normally off-limits perspective is the lack of crowd noise seeping into the recordings. With this collection, no fans are oohing and aahing with everyone else after every explosion.
Quite a few tracks feature the sound of crackling rain, a type of firework that emits a sound which, according to the American Pyrotechnics Safety and Education Foundation is “An effect created by large, slow-burning stars within a shell that leave a trail of glittering sparks behind and make a loud sizzling noise.” See a link to their informative site here. It features illustrated examples of different kinds of professional-grade fireworks.
I grew up 500 yards from here, watching my town’s Independence Day display from the vantage point of our two-story home’s shingled roof. My siblings and I would carefully climb the TV antenna, which became wobblier with each passing year, to get this choice view. That said, my position for this show blows that view away, hands down.
I enjoy recording the sound of fireworks. Usually, it’s from a distance. To be able to get a pyrotechnician’s perspective on the show was a sonic and visual treat. I hope you agree.
Library Preview
Commercial Fireworks: Up Close and Loud Library details:
- 6 minutes, 46 seconds total, including a 1:02 finale (with distant but quiet approving fan noise at the end)
- 224 MB
- 32 tracks captured with a Sound Devices Mixpre D/Sony PCM M10 combo and two Audio Technica 3032 omni mics in a baffled omni configuration at 24-bit/96kHz
- Universal Category System (UCS) compliant filenames
- Metadata included
- a rare and booming close perspective (mics 20 feet away from mortar racks)
Behind the Scenes
Lagniappe
- Have you ever wondered what you’re looking at when you see a firework burst in the night sky? Here is a glossary of terms used in the commercial fireworks industry, according to the American Pyrotechnics Association.